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Los Angeles to New York: Dwan Gallery, 1959–1971

The first major exhibition to explore the storied history of the groundbreaking mid-20th-century Dwan Gallery will premiere at the National Gallery of Art, Washington, from September 30, 2016, through January 29, 2017. Honoring Virginia Dwan’s gift from her extraordinary personal collection to the National Gallery of Art, Los Angeles to New York: Dwan Gallery, 1959–1971 will be on view in Concourse galleries of the newly renovated East Building. The exhibition traces Dwan’s remarkable career as a gallerist and patron through some 100 works drawn from her collection as well as from museums and private collections. The exhibition includes Arakawa’s Untitled, “Stolen”, 1969, collection of Wadsworth Atheneum Museum of Art, Hartford.

Los Angeles to New York: Dwan Gallery, 1959–1971 was organized by the National Gallery of Art. The exhibition travels to the Los Angeles County Museum of Art, where it will be on view from March 19 through September 10, 2017.

 

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Shusaku Arakawa (1936-2010) was born in Nagoya, Japan and attended the Musashino Art University in Tokyo. Renowned for his paintings, drawings, and prints, as well as his visionary architectural constructions, Arakawa, was one of the founding members of the Japanese avant-garde collective Neo Dadaism Organizers and was one of the earliest practitioners of the international conceptual-art movement of the 1960s. After moving to New York from Japan in 1961, Arakawa produced diagrammatic paintings, drawings, and other conceptual works that employed systems of words and signs to both highlight and investigate the mechanics of human perception and knowledge. Throughout the following decades Arakawa continued to exhibit at museums and galleries extensively throughout North America, Western Europe and Japan with works that grew in scale and visual and intellectual complexity. linklinklink