Bibliography

Arakawa in his studio at Chambers Street, New York 1964

Catalogues

1961           

Shuzo Takiguchi “Why Sculpture, Fragments for Arakawa"; Jun Ebara “Artist Overcoming the Ceaze”, Arakawa Shusaku, Mudo Gallery, Tokyo

1965

lchiro Haryu, Arata lsozaki, Joseph Love, Yusuke Nakahara, Yoshiaki Tono, Shusaku Arakawa, Minami Gallery, Tokyo

Dieter Hanisch, Arakawa, Wuttembergischer Kunstverein, Stuttgart

Willoughby Sharp “La Risposta di Arakawa”, Arakawa, Galleria dell’Ariete, Milan

1966

Dieter Hanisch, Arakawa, Galerie Schmela, Düsseldorf

Yoshiaki Tono, Arakawa, Wide White Space, Antwerp

Yoshiaki Tono, Arakawa, Stedelijk van Abbemuseum, Eindhoven

1967

Yoshiaki Tono, Shusaku Arakawa, Bilder und Zeichnungen, Kunst und Museumsverein, Wuppertal - Barmen

Yoshiaki Tono, Shusaku Arakawa, Galerie Seyfried, Munich

Guido Ballo “Arakawa or the Power of Symbols” - Shusaku Arakawa, Galleria Schwarz, Milan

1969

Arakawa, Minami Gallery, Tokyo

Tommasa Trini “Towards a Science of Imagination”, Arakawa, Galleria Schwarz, Milan

1970

Lawrence Alloway  “Arakawa’s Paintings: A Reading”, Arakawa: Peintures Recentes, Musée National d’Art Moderne de la Ville de Paris, Paris

Yoshiaki Tono, Shusaku Arakawa, Japanese Pavilion, XXXV Venice Biennale

Georg Bussmann “Zu Dieset Ausstellung”; Arakawa “Bemerkungen zu Meiner Maleri – Was ich Fälschlicherweise Suche”, Arakawa, Badischer Kunstverein, Karlsruhe

1971

Lawrence Alloway, Georg Bussmann, Arakawa, Onnasch Galerie, Cologne

Nicolas Calas “ Arakawa’s Unexpected Way’s”, Arakawa, Galeria Schwarz, Milan

Suzi Gablik, Arakawa, Angela Flowers Gallery, London

Werner Hoffman, Michael Schwarz, Joachim, Von Waldegg, Carla Huber, Mechanismus der Bedeutung, Frankfurter Kunstverein, Frankfurt

1972

Arakawa, Galerie van de Loo, Munich

1975

Arakawa, Galerie Isy Brachot, Brussels

1976

Juan Manuel Bonat, Arakawa, Galeria 42, Barcelona

1977

Madeline Gins “Arakawa: Un Air Critique”, Arakawa: Derriere Le Miroir No.223, Galerie Maeght, Paris

Jorge Aguilar Mora, Arakawa, Museo de Arte Moderno de Bogota

Shunkichi Baba, Arakawa, Valeur Gallery, Nagoya

Jürgen Harten “Vorwort”; Madeline Gins “Arakawa’s Intention (to Point, To Pinpoint, To Model)”; Maraja Bloem, Arakawa, Städtische Kunsthalle, Düsseldorf

1979

Shuzo Takiguchi, “Arakawa’s Blue Prints: A Rediscovery”, Arakawa Print Works 1965-1979, Gallery Takagi, Nagoya

Craig Dennis, Stephen Eisenman, Brian Lukacher, Arakawa Prints, Williams College Museum of Art, Williamstown

Madeline Gins “Arakawa: From Diagram to Model”, Shuzo Takiguchi, Takahiko Okada, Arakawa, The Seibu Museum of Art, Tokyo

Stephen Eisenman, Brian Lukacher, Arakawa Print Works 1965-1979, Hyogo Prefectural Musem of Modern Art, Kobe

Arakawa and Madeline Gins, Arakawa: The Mechanism of Meaning, The National Museum of Art, Osaka

Samuel Sachs II “Introduction”; Nicholas Calas “A Reading Of…”, Arakawa, The Mechanism of Meaning: Thirty-six drawings from the Collection of Shirley and Miles Fiterman, Minneapolis Institute of Arts, Minneapolis

Arakawa, Stadtische Kunstsammlungen, Ludwigshafen

1980

Margit Weinberg-Staber, ‘Mechanismus der Bedeutung’ und ‘Kartografie der Bedeutung’ Zur Malerei von Arakawa", Arakawa, Galerie Maeght, Zürich

Susan Berger Jones, Arakawa: Recent Prints, Michael Berger Gallery, Pittsburgh

1981

Carl Haelein “ Zur Asstellung”; Armin Zweite”Arakawa: Versuch einer Annäherung”, Arakawa: Bilder und Zeichnungen 1962-1981, Städtische Galerie im Lenbachhaus, Munich

Danielle Rice, Arakawa, The Arts Club of Chicago, Chicago

1982

Arakawa and Madeline Gins, Propriétés de Blank, Arakawa: Derrière le Mirror No. 252, Galerie Maeght, Paris

Danielle Rice, Arakawa and Madeline Gins, Arakawa, Matrix 72, Wadsworth Atheneum, Hartford

1983

Arakawa: Print Works 1965-1983, Kitakyushu Municipal Museum of Art

Arakawa and Madeline Gins, Arakawa: Space as Intention, Kitakyushu Municipal Museum of Art

1984

Jean-François Lyotard, “Longitude 180 W or E”, Arakawa, Padiglione d’Arte Contemporanea, Milan

Larry Aldrich,”Introduction”, Robert Metzger, “(Not) All About Arakawa: Habits of Blank”, Arakawa: Recent Drawings, The Aldrich Museum of Contemporary Art, Ridgefield

1985

Madeline Gins, Arakawa, Arnold Herstand Gallery, New York

1986

Italo Calvino, Arakawa, Gallery Blu, Milan

Takahiko Okada, Arakawa: Paintings to Read, The Contemporary Art Gallery, Tokyo

Italo Calvino, Arakawa, Arakawa, Shuzo Takiguchi: The Desire of the Diagram, Satani Gallery, Tokyo

1988

Toshihura Ito, Arakawa: Early Works 1961-62 at New York, Satani Gallery, Tokyo

Hiroshi Ickikawa, Masashi Miura, Takahiko Okada, The Mechanism of Meaning, The Seibu Museum of Art, Tokyo

Junichi Kudo, Madeline Gins, Arakawa: Recent Paintings, Gallery Takagi, Nagoya

Pierre Strckx, “Testing the Limits”, Arakawa, Galerie Isy Brachot, Brussels

1990

Atsushi Miyakawa “Extract from “Query of Looking” “Once again at the Margin of Gilles Deleuze: On the Works of Shusaku Arakawa”, Eiko Ikui, Yasuo Kobayashi, Richi Miyake, Kunio Motoe etc. “ To Atsushi Miyakawa”’, Arakawa and Madeline Gins “Epinal Project”, The Exhibition of Shusaku Arakawa -To Atsuschi Mitakawa, Touko Museum of Contemporary Art, Tokyo

Zina Davis, Arakawa, The Process in Question, Joseloff Gallery, West Hartford

Hans-Georg Gadamer “Arakawa”, Italo Calvino “Die Farbe des Intellekts in den Bildern Arakawas”, Madeline Gins “ Der Prozeß in Frage” - Arakawa, daadgalerie, Berlin

1991

Hans-Georg Gadamer, Yasuo Kobayashi - Arakawa: Untitled, Satani Gallery, Tokyo

Koji Takahashi “Introduction: Forming Space”; Charles W. Haxthausen  “Looking at Arakawa”; Jean-François Lyotard “Reserves of Spatial Events”, Constructing the Perceiver - Arakawa: Experimental Works, The National Museum of Modern Art, Tokyo

Yasuo Kobayashi “Furor Sanctus or an attempt to read Arakawa Shusaku”, Arakawa: Untitled, Satani Gallery, Tokyo

1994

Akira Tatehata “Impossible Texts”, Arakawa: Drawings 1961-74, Hara Museum of Contemporary Art, Tokyo

1997

Andrew Benjamin, Charles W. Haxtausen, Radovan Ivsic and Annie Le Brun, Ed Keller, Johannes Knesl, Greg Lynn and Jesse Reiset, George Lakoff, F.L.Rush, Mark C. Taylor, Bernhard Waldenfels,  Reversible Destiny: Arakawa and Gins, Guggenheim Museum, New York

2005            

Okada Kiyoshi, Hirabayashi Megumi, Yamada Satoshi, Analyzing the Art of Arakawa Shusaku, The Nagoya City Art Museum, Nagoya

2008            

Shunkichi Baba, Shusaku Arakawa: The Works at Mudo Gallery in 1961, Gallery Art Unlimited, Tokyo

Arakawa: Early Works 1961-62 at New York, Satani Gallery, Tokyo

2010            

Tatechata Akira “Beyond Fetish”, Hirayoshi Yukihiro “The Early Works of Arakawa Shusaku, Funeral Bioengineering to Not to Die – Early Works by Arakawa Shusaku, National Museum of Art, Osaka

2014

Fumi Tsukahara, “ An Approach to the Trajectory of Shusaku Arakawa: from ‘Coffins’ to ‘Diagrams’ and beyond”, The Trajectory of Shusaku Arakawa: Beyond Reversible Destiny, Aizuyaichi Museum, Tokyo

 

Books

1970

Stolen, Kathe Gregory, Marilyn Landis, Russell F. Lewis, David Crane, Scott R Kahn (introduction by Lawrence Alloway), Dwan Gallery, New York

1974

For Example (A Critique of Never), Arakawa, Alessandra Castelli Press, Milan

1971

Mechanismus der Bedeutung (Werk im Entstehen: 1963-1971), Arakawa in cooperation with Madeline Gins, (introduction by Lawrence Alloway), Bruckmann München

1978

The Mechanism of Meaning: Work in Progress (1963-71, 1978), Based on a the method of Arakawa, Arakawa and Madeline Gins, Harry N. Abrams, New York

1987

Que Peindre? Adami, Arakawa, Buren, Jean-Francois Lyotard, Editions de La Difference, Paris

1988

The Mechanism of Meaning (No.3), Arakawa and Madeline Gins, Abbeville Press, New York

2009

La Trajectoire Merveilleuse de Shusaku Arakawa, Fumi Tsukahara, NTT Publishers, Tokyo