For Distraction Series 8, we are very pleased to present a ten-minute excerpt of a two-hour lecture by curator Satoshi Yamada on a work by Arakawa entitled 35’ by 7’ 6” and 126 lbs. No. 2, 1967-68. This lecture was given on May 13th, 2012, at the Nagoya City Art Museum, where Mr. Yamada was a curator at the time. NCAM houses sixteen works by Arakawa in its permanent collection, along with an additional five works on long-term loan from the Estate of Madeline Gins. As the museum is located in the artist’s hometown of Nagoya, NCAM has focused on developing a collection that covers a broad range of Arakawa’s artistic experiments: it spans from the sculptures of the late 1950s (his so-called ‘coffin’ series), to sketches revealing his thought-process, and finally to the large-scale paintings of the 1980s that anticipated his move toward architecture in collaboration with Madeline Gins.
Satoshi Yamada, currently the chief curator of the Kyoto City Museum of Art, conducted a 2-year-long study of Arakawa’s work in 2003–2005 with two other fellow curators, forming the organizing committee of the 2005 exhibition “Analyzing the Art of Arakawa Shusaku” at NCAM. This in-depth research project and his years of experience working with the museum’s collection pieces have formed Mr. Yamada’s opinion that Arakawa thought through everything in great detail and created his work with a view to communicating ideas as clearly as possible to the public—an assessment that may bewilder some people who are familiar with the enigmatic works of the artist.
We hope that this lecture will provide another foray into the world of Arakawa and invite you to exercise your own analytical thinking while looking at the artist’s work. For Closed Captioning, please click on the “CC” at the bottom right of the YouTube video.
Yours in the reversible destiny mode,
Reversible Destiny Foundation and ARAKAWA+GINS Tokyo Office