Publications
Publications with Madeline Gins
Related Publications
Related Films
Catalogues
1961 | Shuzo Takiguchi “Why Sculpture, Fragments for Arakawa”; Jun Ebara “Artist Overcoming the Ceaze”, Arakawa Shusaku, Mudo Gallery, Tokyo |
1965 | lchiro Haryu, Arata lsozaki, Joseph Love, Yusuke Nakahara, Yoshiaki Tono, Shusaku Arakawa, Minami Gallery, Tokyo Dieter Hanisch, Arakawa, Wuttembergischer Kunstverein, Stuttgart Willoughby Sharp “La Risposta di Arakawa”, Arakawa, Galleria dell’Ariete, Milan |
1966 | Dieter Hanisch, Arakawa, Galerie Schmela, Düsseldorf Yoshiaki Tono, Arakawa, Wide White Space, Antwerp Yoshiaki Tono, Arakawa, Stedelijk van Abbemuseum, Eindhoven |
1967 | Yoshiaki Tono, Shusaku Arakawa, Bilder und Zeichnungen, Kunst und Museumsverein, Wuppertal – Barmen Yoshiaki Tono, Shusaku Arakawa, Galerie Seyfried, Munich Guido Ballo “Arakawa or the Power of Symbols” – Shusaku Arakawa, Galleria Schwarz, Milan |
1969 | Arakawa, Minami Gallery, Tokyo Tommasa Trini “Towards a Science of Imagination”, Arakawa, Galleria Schwarz, Milan |
1970 | Lawrence Alloway “Arakawa’s Paintings: A Reading”, Arakawa: Peintures Recentes, Musée National d’Art Moderne de la Ville de Paris, Paris Yoshiaki Tono, Shusaku Arakawa, Japanese Pavilion, XXXV Venice Biennale Georg Bussmann “Zu Dieset Ausstellung”; Arakawa “Bemerkungen zu Meiner Maleri – Was ich Fälschlicherweise Suche”, Arakawa, Badischer Kunstverein, Karlsruhe |
1971 | Lawrence Alloway, Georg Bussmann, Arakawa, Onnasch Galerie, Cologne Nicolas Calas “ Arakawa’s Unexpected Way’s”, Arakawa, Galeria Schwarz, Milan Suzi Gablik, Arakawa, Angela Flowers Gallery, London Werner Hoffman, Michael Schwarz, Joachim, Von Waldegg, Carla Huber, Mechanismus der Bedeutung, Frankfurter Kunstverein, Frankfurt |
1972 | Arakawa, Galerie van de Loo, Munich |
1975 | Arakawa, Galerie Isy Brachot, Brussels |
1976 | Juan Manuel Bonat, Arakawa, Galeria 42, Barcelona |
1977 | Madeline Gins “Arakawa: Un Air Critique”, Arakawa: Derriere Le Miroir No.223, Galerie Maeght, Paris Jorge Aguilar Mora, Arakawa, Museo de Arte Moderno de Bogota Shunkichi Baba, Arakawa, Valeur Gallery, Nagoya Jürgen Harten “Vorwort”; Madeline Gins “Arakawa’s Intention (to Point, To Pinpoint, To Model)”; Maraja Bloem, Arakawa, Städtische Kunsthalle, Düsseldorf |
1979 | Shuzo Takiguchi, “Arakawa’s Blue Prints: A Rediscovery”, Arakawa Print Works 1965-1979, Gallery Takagi, Nagoya Craig Dennis, Stephen Eisenman, Brian Lukacher, Arakawa Prints, Williams College Museum of Art, Williamstown Madeline Gins “Arakawa: From Diagram to Model”, Shuzo Takiguchi, Takahiko Okada, Arakawa, The Seibu Museum of Art, Tokyo Stephen Eisenman, Brian Lukacher, Arakawa Print Works 1965-1979, Hyogo Prefectural Musem of Modern Art, Kobe Arakawa and Madeline Gins, Arakawa: The Mechanism of Meaning, The National Museum of Art, Osaka Samuel Sachs II “Introduction”; Nicholas Calas “A Reading Of…”, Arakawa, The Arakawa, Stadtische Kunstsammlungen, Ludwigshafen |
1980 | Margit Weinberg-Staber, ‘Mechanismus der Bedeutung’ und ‘Kartografie der Bedeutung’ Zur Malerei von Arakawa”, Arakawa, Galerie Maeght, Zürich Susan Berger Jones, Arakawa: Recent Prints, Michael Berger Gallery, Pittsburgh |
1981 | Carl Haelein “ Zur Asstellung”; Armin Zweite”Arakawa: Versuch einer Annäherung”, Arakawa: Bilder und Zeichnungen 1962-1981, Städtische Galerie im Lenbachhaus, Munich Danielle Rice, Arakawa, The Arts Club of Chicago, Chicago |
1982 | Arakawa and Madeline Gins, Propriétés de Blank, Arakawa: Derrière le Mirror No. 252, Galerie Maeght, Paris Danielle Rice, Arakawa and Madeline Gins, Arakawa, Matrix 72, Wadsworth Atheneum, Hartford |
1983 | Arakawa: Print Works 1965-1983, Kitakyushu Municipal Museum of Art Arakawa and Madeline Gins, Arakawa: Space as Intention, Kitakyushu Municipal Museum of Art |
1984 | Jean-François Lyotard, “Longitude 180 W or E”, Arakawa, Padiglione d’Arte Contemporanea, Milan Larry Aldrich,”Introduction”, Robert Metzger, “(Not) All About Arakawa: Habits of Blank”, Arakawa: Recent Drawings, The Aldrich Museum of Contemporary Art, Ridgefield |
1985 | Madeline Gins, Arakawa, Arnold Herstand Gallery, New York |
1986 | Italo Calvino, Arakawa, Gallery Blu, Milan Takahiko Okada, Arakawa: Paintings to Read, The Contemporary Art Gallery, Tokyo Italo Calvino, Arakawa, Arakawa, Shuzo Takiguchi: The Desire of the Diagram, Satani Gallery, Tokyo |
1988 | Toshihura Ito, Arakawa: Early Works 1961-62 at New York, Satani Gallery, Tokyo Hiroshi Ickikawa, Masashi Miura, Takahiko Okada, The Mechanism of Meaning, The Seibu Museum of Art, Tokyo Junichi Kudo, Madeline Gins, Arakawa: Recent Paintings, Gallery Takagi, Nagoya Pierre Strckx, “Testing the Limits”, Arakawa, Galerie Isy Brachot, Brussels |
1990 | Atsushi Miyakawa “Extract from “Query of Looking” “Once again at the Margin of Gilles Deleuze: On the Works of Shusaku Arakawa”, Eiko Ikui, Yasuo Kobayashi, Richi Miyake, Kunio Motoe etc. “To Atsushi Miyakawa”’, Arakawa and Madeline Gins “Epinal Project”, The Exhibition of Shusaku Arakawa -To Atsuschi Mitakawa, Touko Museum of Contemporary Art, Tokyo Zina Davis, Arakawa, The Process in Question, Joseloff Gallery, West Hartford Hans-Georg Gadamer “Arakawa”, Italo Calvino “Die Farbe des Intellekts in den Bildern Arakawas”, Madeline Gins “ Der Prozeß in Frage” – Arakawa, daadgalerie, Berlin |
1991 | Hans-Georg Gadamer, Yasuo Kobayashi – Arakawa: Untitled, Satani Gallery, Tokyo Koji Takahashi “Introduction: Forming Space”; Charles W. Haxthausen “Looking at Arakawa”; Jean-François Lyotard “Reserves of Spatial Events”, Constructing the Perceiver – Arakawa: Experimental Works, The National Museum of Modern Art, Tokyo Yasuo Kobayashi “Furor Sanctus or an attempt to read Arakawa Shusaku”, Arakawa: Untitled, Satani Gallery, Tokyo |
1994 | Akira Tatehata “Impossible Texts”, Arakawa: Drawings 1961-74, Hara Museum of Contemporary Art, Tokyo |
1997 | Andrew Benjamin, Charles W. Haxtausen, Radovan Ivsic and Annie Le Brun, Ed Keller, Johannes Knesl, Greg Lynn and Jesse Reiset, George Lakoff, F.L.Rush, Mark C. Taylor, Bernhard Waldenfels, Reversible Destiny: Arakawa and Gins, Guggenheim Museum, New York |
2005 | Okada Kiyoshi, Hirabayashi Megumi, Yamada Satoshi, Analyzing the Art of Arakawa Shusaku, The Nagoya City Art Museum, Nagoya |
2008 | Shunkichi Baba, Shusaku Arakawa: The Works at Mudo Gallery in 1961, Gallery Art Unlimited, Tokyo Arakawa: Early Works 1961-62 at New York, Satani Gallery, Tokyo |
2010 | Tatechata Akira “Beyond Fetish”, Hirayoshi Yukihiro “The Early Works of Arakawa Shusaku, Funeral Bioengineering to Not to Die – Early Works by Arakawa Shusaku, National Museum of Art, Osaka |
2014 | Fumi Tsukahara, “ An Approach to the Trajectory of Shusaku Arakawa: from ‘Coffins’ to ‘Diagrams’ and beyond”, The Trajectory of Shusaku Arakawa: Beyond Reversible Destiny, Aizuyaichi Museum, Tokyo |