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Madeline Gins: Infinite Systems

Madeline Gins: Infinite Systems

Exhibition at Hessel Museum of Art

CCS Bard Hessel Museum of Art
33 Garden Rd
Annandale-On-Hudson, NY 12504

On view from April 5, 2025 through May 25, 2025

Public reception: Saturday, April 5, 1-4 PM

“Infinite Systems presents works by the artist-architect-poet Madeline Gins (1941–2014). The exhibition—the first solo presentation on Gins—shifts the focus from her collaborations with her husband, Arakawa, under the moniker Arakawa+Gins, to her rarely shown independent practice. A selection of her writing and visual works from the 1960s to the 2000s, many exhibited for the first time, are displayed alongside archival materials, including ephemera, manuscripts, and photographs drawn from the Reversible Destiny Foundation.” – Charlotte Youkilis, Curator.

We are excited to share that Madeline Gins will have her moment to shine thanks to CCS Bard College. As mentioned above, rarely seen works from her own creative practice will be showcased through drawings, paintings, and poems alongside archival materials. The exhibition will also be accompanied by a publication with contributions from friends; Susan Bee, Lucy Ives, Tausif Noor, and Aviva Silverman.

For more information, please visit  https://ccs.bard.edu/museum/exhibitions/1052-madeline-gins-infinite-systems.

Portrait of Madeline Gins, ca. 1966. Black and white photograph print
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Legacies: Asian American Art Movements in New York City (1969-2001)

Legacies: Asian American Art Movements in New York City (1969-2001)

Exhibition at the 80WSE Gallery

New York University
80 Washington Square E
New York, NY 10003

Through Dec 20, 2024

Arakawa’s painting, Sketches for An Anatomy of the Signified or If…, 1975, is now on view at 80WSE gallery’s group exhibition, Legacies: Asian American Art Movements in New York City (1969-2001). Organized by Howie Chen (Curator), Jayne Cole Southard (PhD., CUNY) and Christina Ong, PhD, the exhibition gathers archival materials and artworks that goes beyond the representational label of “Asian American.” Taking an interdisciplinary and research approach, the exhibition explores how artists of Asian descent have denoted their identities “amidst transnational diasporas, racial phantasms, and political imaginaries.” Along with Arakawa’s piece, over 90 other artists and collectives of Asian descent, based in New York City, share their work at this first institutional survey exhibition.

For more information, https://80wse.org/exhibitions/legacies-asian-american-art-movements

Image: Installation shot of Arakawa, Sketches for An Anatomy of the Signified or If…(1975). Pencil, color pencil, watercolor on paper. Courtesy of 80WSE.