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Arakawa and Madeline Gins: Eternal Gradient

It is our great pleasure to inform you that the exhibition Eternal Gradient is travelling to Graham Foundation in Chicago. There will be public programs during the exhibition period.

Exhibition on view from February 7 – May 4, 2019

Opening Reception: February 7, 2019, 5:30 – 8:00PM (RSVP here)
 

The Graham Foundation
Madlener House
4 West Burton Place, Chicago
 

Programs:
LÉOPOLD LAMBERT: POLITICAL READING OF ARAKAWA+GINS, February 21, 6pm (RSVP here)
CHARLES BERNSTEIN: NEAR/MISS, POETRY READING, April 17, 6pm (RSVP here)


Tracing the emergence of architecture as a wellspring of creativity and theoretical exploration for the artist Arakawa (1936–2010) and poet and philosopher Madeline Gins (1941–2014), this exhibition features over 40 drawings and other archival materials that illuminate a pivotal moment within a practice that spanned nearly five decades of collaboration.

In the early 1960s, Arakawa and Gins began a remarkably original and prolific partnership that encompassed painting, installations, poetry, literature, architecture, urbanism, philosophy, and scientific research. Complementing their independent artistic and literary practices, their collaborative work launched with visual, semiotic, and tactile experiments that questioned the limits and possibilities of human perception and consciousness. During the 1980s—a critical juncture in their careers—this line of inquiry became increasingly spatial as Arakawa and Gins together developed a series of speculative architectural projects that sought to challenge the bodily and psychological experience of users. Through these investigations, the artists began to articulate their concept of “Reversible Destiny,” arguing for the transformative capacity of architecture to empower humans to resist their own deaths. This exhibition uncovers a little-known body of this visionary work that anticipated the artists’ subsequent commitment to architecture and their realization of various “sites of Reversible Destiny,” in Japan and New York between 1994–2013.

Eternal Gradient originated at the Arthur Ross Architecture Gallery at Columbia University Graduate School of Architecture, Planning and Preservation (GSAPP) and is made possible, in part, by the Estate of Madeline Gins and through a partnership with the Reversible Destiny Foundation.

The exhibition was curated by Irene Sunwoo, GSAPP director of exhibitions and curator of the Arthur Ross Architecture Gallery, with Tiffany Lambert, GSAPP assistant director of exhibitions. The Graham Foundation presentation is organized by Sarah Herda, director, and Ellen Alderman, deputy director of exhibitions and public programs. The exhibition design is by Norman Kelley, a Chicago & New Orleans architecture and design collective founded by Carrie Norman and Thomas Kelley.


For more information please visit: https://grahamfoundation.org/

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Recent Exhibitions

Impossible Architecture

The Museum of Modern Art, Saitama, Japan will present the exhibition, Impossible Architecture, in collaboration with three other museums; Niigata City Art Museum, Hiroshima City Museum of Contemporary Art, and the National Museum of Art, Osaka. The exhibition will travel through these four public museums in Japan from February 2019 until March 2020, and will be featuring several artworks by Arakawa and Madeline Gins, including a large-scale model of The Process in Question/Bridge of Reversible Destiny, also known as the “Epinal Project”.

This exhibition featuring an array of international unbuilt architectural designs of the 20th century and onward, has the working title “Impossible Architecture.” The word “impossible” in this context does not mean “impossible” simply because of any radical or unreasonable demands of the architectural design, but refers to the restrictive boundaries of each project’s social time and place, and encourages us to revisit and re-examine the possibilities lying at these architectural frontiers. By placing the focus on the impossibility of this architecture, paradoxically their extreme possibilities and rich potentials come to the fore, abundantly fulfilling the very aim of this exhibition.

Through a diverse mix of plans, models, and other related materials, the “Impossible Architecture” exhibition closely analyzes the extraordinarily imaginative projects of some 40 architects and artists, and casts the spotlight on new forms of architecture that have never been seen before.

 

Venues, Dates and Locations:

Museum of Modern Art, Saitama
Dates: February 2 – March 24, 2019

Location:
〒330-0061
9-30-1, Tokiwa, Urawa-ku, Saitama-shi, (in Kita-Urawa Park), Japan
Tel: 048-824-0111

https://www.pref.spec.ed.jp

 

Niigata City Art Museum
Dates: April 13 – July 15, 2019

Location:
〒951-8556 Niigata, Chuo Ward, Nishiohatacho, 5191−9, Japan
Tel: +81-25-223-1622

https://www.ncam.jp

 

Hiroshima City Museum of Contemporary Art
Dates: September 18 – December 8, 2019

Location:
1-1 Hijiyamakoen, Minami Ward, Hiroshima, 732-0815, Japan
Tel: +81-82-264-1121 

https://www.hiroshima-moca.jp

 

The National Museum of Art, Osaka
Dates: January 7 – March 15, 2020

Location: 4-2-55 Nakanoshima, Kita-ku, Osaka, 530-0005, Japan
Tel: +81-6-6447-4680

https://www.nmao.go.jp/en/

 

This exhibition is organized by The Museum of Modern Art, Satama, Niigata City Art Museum, Hiroshima City Museum of Contemporary Art, The Ntaional Museum of Art, Osaka, The Yomiuri Shimbun and the Japan Association of Art Museums.

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Los Angeles to New York: Dwan Gallery, 1959–1971

The first major exhibition to explore the storied history of the groundbreaking mid-20th-century Dwan Gallery will premiere at the National Gallery of Art, Washington, from September 30, 2016, through January 29, 2017. Honoring Virginia Dwan’s gift from her extraordinary personal collection to the National Gallery of Art, Los Angeles to New York: Dwan Gallery, 1959–1971 will be on view in Concourse galleries of the newly renovated East Building. The exhibition traces Dwan’s remarkable career as a gallerist and patron through some 100 works drawn from her collection as well as from museums and private collections. The exhibition includes Arakawa’s Untitled, “Stolen”, 1969, collection of Wadsworth Atheneum Museum of Art, Hartford.

Los Angeles to New York: Dwan Gallery, 1959–1971 was organized by the National Gallery of Art. The exhibition travels to the Los Angeles County Museum of Art, where it will be on view from March 19 through September 10, 2017.

 

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